Thanx for the responses. I’m glad there’s a place to share some park history. Even though it doesn’t seem all that long ago.
To address the issue of being allowed to tape or not and music licensing, and the “dynamics” of the process: You’re allowed to record and upload them at Kings Island and Cedar Point. I’ve never been to another Cedar Fair Park. However people have uploaded Canada’s Wonderland’s version of Dead Awakening for example.
I’ve been doing it since 2006. Uploading since 2008 to document our time at the parks, for those who can’t go, or who want to relive the experience in some form for posterity’s sake. In fact it’s nice people have done it at KI since I haven’t been able to make it there in a while. I know some of them. I’m a graphic designer. I’ve art directed pro photography and models fwiw. So I like to zoom & pan to frame the compositions and “capture the spirit of the thing”. Give performers close-ups when they take the lead. It’s more dynamic. I overdo it sometimes. Sometimes experimenting. It’s not fun holding a “game film” wide shot. Although that is an informative to see everything the blocking of the showing. I’ve even done “close-up cams” where I zoom in and move the camera around even when people aren’t taking the lead. It interest me since I’ve shot so many shows. I normally don’t edit. So I get one long take.
I don’t do it for the performers. They can pay me if they want that ; Nor to meet them or be facebook “friends” ; They can embed vids to share. But not to include my footage in a promo reel. And they don’t do that. A lot of them don’t care who puts them on Youtube or even if they are YouTube. I’ve taken requests a couple times in the distant past at CP. I’ve made some DVD-R’s but not many.
Less than a handful of people thank me via YouTube PM’s. Some Moms and Aunts do. Only a few performers. Some performers do in person. The Edgar Alan Poe HalloWeekend performers appreciated it since they didn’t have to attempt it themselves ;
I have made some show-goer friends at both parks. A couple have mentioned they do the shows because I did them. Which is nice. Many people have recorded and uploaded since then. Especially once HD cams, broadband Internet speed, faster computers, and mobile devices have become a sign of the times. (Not to mention viewing devices like smart TV’s) When I started doing it back in the day I used a Mac Pro, a $1k cam, and was the first area of Kettering to have DSL (which was much earlier than that but fun to note - along with rebuilt cable TV lol).
There are no signs in the parks in fact. Occasionally there are announcements saying it’s strictly prohibited or “For the courtesy of those around you and the performers please silence all electronic devices and ”refrain“ from the use of flash photography and video recording”. That one’s from the Halloween show in Cedar Point’s Palace theatre which is a semi-dark with tables & chairs you can move around. Not regular seating.
Rock Band Live was because it was an outside production and was licensed from a video game. (it was more well-received than CP roller coaster enthusiasts ie. non-show goers want to believe or know lol). It was also in a dark indoor theater. Normally they “prohibit” it because so many people have phones these days. Even DSLR’s take vid now. The LCD’s are very bright in that environment. Although if someone’s kid was called on stage from the audience then up pop Mom’s phone for the duration lol My old SONY had a color viewfinder however. I can borrow a canon G20 if I have to. Or put them cam on the seat with the LCD brightness turned down so as not to bother anyone.
I’ve had permission from a head usher and requests from performers at CP. The Dead Awakening Ushers were excited to meet the guy put the shows online ; They let me go down after the show and tape Shannon playing dead on the brass bed to get a shot to end the vid with. I ended up not uploading her because she was swimming in Natalie’s costume during her performance she so tiny. Natalie left one show early. So they didn’t have a costume fitted for Shannon. Which surprises me. She was the swing or understudy or backup or whatever you would want to call her in the event Natalie couldn’t do the show. Those ushers asked if I shot the Snoopy ice show. I said I didn’t because they don’t allow it at CP. The ushers said I could have done it at KI. Now they’re not a complete authority either I know that. But they didn’t have a problem with it. They encouraged it ; Helbig’s aware people shoot and upload. He knows most of them. He sat near me while I recorded The County Line in Festhaus the first time and was in parts of the video ; Performers have friends and family record them also.
When I taped drum cams and backstage at Cedar Point the drummer said he asked Live E! and they had no problem with it. The writer of the show and a Live E! blue tag were back there.
The only thing about recorded songs–or as they say it sometimes on YouTube “musical compositions” ie. even cover songs–the music publishers may monetize it. That’s another practical reason I upload some shows in sections so they can’t monetize an entire show or I’ll leave that section out. Oddly enough sometimes the automated database publishers submit audio that recognizes it or sometimes it doesn’t. I had an upload that recognized Ghouls Gone Wild’s Hungry Like the Wolf Kyle Dobkins sang as a “musical composition”. I had re-uploaded it for a technical reason. It didn’t recognize it that time. In some cases it’ll be what I call a loss leader. ie. OK go ahead monetize the cover song. If people search for and find it then they might watch the rest of the show vids. As far as them making money indirectly off performance. The performers signed their talent releases with Cedar Fair ; They ‘re not big time with that much clout yet ; It’d be kind if Mom’s and Grandma’s gifted me with Best Buy gift Cards in $25 denominations for my efforts lol One thanked me because a performer’s Grandparents weren’t able to make it from NC.
Not all music is in the YouTube database. The publishers have to submit it. In some cases live concerts will share monetization vs the recorded song will monetize it. That’s the case for a couple Phil Collins WMMS-FM 80’s radio cassette tapes I uploaded to another channel. If you do mashups then most clips will not monetize the video. Pink Floyd will. It might take half a month to alert you. Don’t use even 10 sec of the Eagles in a mashup though. Blocked in all countries copyright strike! Those guys are jerks ;
YouTube does have a database that’s kind of buried so you have to find it that lists songs and tells how they can be used or how they’re licensed for use or non-use on YT. What they don’t say that I could find is “recording” vs “musical composition” A ridiculous one is about 20 obscure publishers monetized an old esoteric song in Skeleton Crew’s sword swallower act. The artist is dead. A lot publishers are leaching off his silly song ;
I only mention this extra info because I think it’s interesting and I’ve done this enough times. I hope that explains it.
Regardless thanx for letting me share my documentation efforts here. It’s nice when people actually watch the videos ; Not too many do these days. I do it for myself first and foremost anyhow. I watch videos. So I share videos. In the past it’s encouraged others to do the same ;